
The lead track "Blame the Architects" alone warrants all the accolades this record is getting. To use a 90's reference, it would be going on side 1 of a mixtape.
The rest of the record kind of rules too. It's as aggressive and hard as any of their other records but it also has a cool dynamic with a spacy vibe in certain breaks that reminds me of Cave In or newer bands like The Carrier.
I had heard there was a bit of grumbling on the internet before the album came out that usually happens when bands drop words like "growth" and "progression" to describe a new album. Usually it refers to attempts at singing instead of keeping the aggression up 100% of the time.
Well, that is pretty much unfounded when it comes to the record. For like 45 seconds of one song there is some singing, but you are not going to mistake it for a Glee album. There's nothing to worry about.
Fuck it. I suck at trying to describe music.
If you read this blog then you know I don't like shit music. Just get it.
If I had only one complaint it's that the record is way too short! I just wanted more when it was over. There are single Rush songs that are longer than the seven songs combined on this album.
Still, it isn't a bad thing to be left wanting more. It's better than being bored!

Light Green & Dark Green mix/300



Hey, I am a 41 year old father of two young girls and have a wife who was raised on Garth Brooks. If I am going to get away with any art work in the house at all - no skulls. Those are the rules!

So thanks again to everyone at Deathwish, I really appreciate it!
Being a UK admirer of Jackie's voice, I've had the pleasure of living with this album for more than a week (it was released to coincide with BGT).
ReplyDeleteTo say it grows on you is an understatement. To hear these songs together as in one concert-like experience is a joy that leads to repeated playings.